News & Updates — give the drummer some

Back when I played a drumkit, it wasn't Tony Allen who was my biggest influence. Nor was it Keith Moon, Mitch Mitchell, Art Blakey or anyone else. It was Rashied Ali! Someone once asked if a recording that was being played had Rashied on drums, and I was thrilled to tell him that it was actually me! But never in a million years could I match Ali in chops but I certainly dug his polytonal expression and unique waves of sound on the kit. Most famous for being John Coltrane's last drummer (and for the duo album they did together,...

The King of the Congas, Tata Güines was a shoe-maker and a bassist before he became one of the most prestigious and important percussionists in Cuban music. After some early study with Chano Pozo, his professional career took off in the '50s, playing in Havana with the likes of Arsenio Rodriguez, Bebo Valdés, Chico O'Farrill, Peruchín, Cachao, Frank Emilio Flynn and others. In '52 he toured South America with Jose Fajardo. In 1957 he went to NYC, where he worked with Frank Sinatra, Miles Davis, Dizzy Gillespie, Josephine Baker and others. He became a featured soloist on the NYC scene, helping...

Happy birthday to one of NYC's best, Jimmy Castor! He sang doo-wop with Frankie Lymon & the Teenagers and the Teen Chords, as well as playing reeds and percussion. He started playing timbales after hearing Tito Puente and in the early '60s became the bandleader for Dave "Baby" Cortez, as well as recording with Bill Doggett. The Jimmy Castor Bunch became a hot item on the NYC club scene with their blend of Latin jazz, boogaloo, calypso and funk. They were sharing a lot of bills with Joe Bataan, Pucho & the Latin Soul Brothers and Kool & the Gang...

Kako was a well-respected percussionist, dancer and bandleader in the Latin music scene starting in the '50s. A Puerto Rican who moved to NYC, he played timbales, congas, bongos & quinto for Tito Puente, Arsenio Rodriguez, Mon Rivera, Mongo Santamaria, Charlie Palmieri, Patato Valdez and others, as well as working in a multi-capacity role (session musician, composer, talent scout, A&R, executive) for Alegre Records. He recorded as a leader and also helped put together the Alegre All-Stars (the format of which was copied from the old Cuban descarga sessions but became more famous for the Fania All-Stars later on), who...

A huge talent lost much too early, Angá was an ace Cuban percussionist who employed an army of congas, as well as timbales and other percussion instruments. A lifelong follower of Santería, he was born in Pinar del Rió, Cuba, to a musical family. He played professionally with jazz group Opus 13 while studying college before joining the greatest Cuban group of all time, Irakere, in 1987. He's worked with Buena Vista Social Club (and member projects), hiphop group Orishas, trumpeter Roy Hargrove, Afro-Cuban legend Tata Güines, progressive jazz pianist Omar Sosa, Malian jeli musician Baba Sissoko, avant-jazz/M-Base saxophonist Steve...