News & Updates — reeds

Happy birthday to the harmolodic genius Ornette Coleman! His saxophone crying and unique compositional style were as groundbreaking on the avant-garde jazz front as John Coltrane, Cecil Taylor & Sunny Murray, Sun Ra and Albert Ayler were in that new freedom era that started in the late '50s and caused an avalanche of free-jazz in the '60s. In fact, it was Coleman's "double-quartet" album, Free Jazz -from '60, which gave name to a whole genre to follow. The musical revolutionary grew up poor in Fort Worth TX and learned to sight-read and started teaching himself alto sax at 14, right...

The great Cuban-born saxophonist Tommy McCook came out of the important Kingston JA-based Alpha Boys School (home to many great Jamaican musicians) and worked on a gazillion sessions of ska, reggae, jazz, rocksteady and soul, and was a founding (and long-time) member of The Skatalites (along with Jackie Mittoo--whose born day is also today). He was Musical Director for The Supersonics and cut a few sides under his own name, as well as the band backing singers like Alton Ellis, Justin Hinds and others. A lyrical tenor player, he cited John Coltrane as one of his biggest influences. Early on...

(Photo by Herman Leonard, 1948) Tenor genius, Oscar-nominated actor and cigarette fetishist Dexter Gordon had an incredible sound that inspired Sonny Rollins, John Coltrane and Jack Kerouac. Out of Los Angeles, he started on the clarinet as a teen before moving to alto. He finally switched to tenor around 1940. He was greatly influenced by Lester Young, whom he encountered in '43 in a jam session with Ben Webster. He received training from Illinois Jacquet as he toured early with the Lionel Hampton band. They made some recordings in Chicago in '41, Gordon's first. He worked in the bands of...

The should've-been-better-known out-jazz tenor player (and bass clarinetist) Glenn Spearman brought a powerful lyricism and fierce beauty to great records by Cecil Taylor, Emergency (a group he co-founded in Paris with Bob Reid), Raphe Malik, Marco Eneidi, Trio Hurricane, John Heward and William Hooker. He also worked with Rova Saxophone Quartet and his own groups, such as G-Force and his classic Interstellar Space-inspired duo album Night After Night with Don Robinson. He was a major part of the Bay Area avant-garde & out-jazz scenes beginning in the late '60s and was on staff at Mills College. I have seem him...

Passing just two months after Charlie Parker was another genius of the saxophone, tenor player Wardell Gray. He was one of the bright lights of the West Coast scene of the late '40s/early '50s and it's a shame how relatively little-known he is compared to some of the other titans of the era, of which he surely should rank alongside. His style was flowing and melodic, not too heavy. He was one of the players who straddled the line between the swing and bop eras. His first instrument was clarinet but he was inspired upon hearing Lester Young to switch to...