News & Updates — reeds

Great Texan saxophonist Dewey Redman is best known for his work with Ornette Coleman, the great "Birth" band (as I call it, after one of their great records) with Keith Jarrett, Old & New Dreams and his own fine output on Impulse!, Freedom, Actuel, ECM, Black Saint and others. He was self-taught and didn't lead a band until he was in his 30s. He was the nephew of famed pioneering swing jazz hornsmen/arranger Don Redman (known for his work with Fletcher Henderson and others). Dewey started as a kid on clarinet, playing in a church band, before picking up the...

One of the early solo stylists of jazz, Sidney Bechet ripped it up in his native New Orleans, marching in parade bands, playing parties and as clarinetist with the Eagle Band and others before joining King Oliver's band in 1913. That band did some heavy touring, including a residency in Chicago. In 1919 he joined the Syncopated Orchestra in NYC and that band went to Europe and became a sensation, even attracting positive attention from the classical music world. In London he started playing the soprano saxophone and became the early standard on that instrument (greatly influencing John Coltrane). His...

The Afro-Danish reedsman John Tchicai was one of the unique talents on the international out-jazz scene after the "October Revolution" of 1964. Born in Copenhagen (and of Congolese descent), he played violin as a child and switched to reeds as a teenager. He was pro by the late '50s traveling around Europe before setting off for NYC in '62. He hooked up with groups of major statement, such as New York Contemporary Five (with Don Cherry and Archie Shepp) and the New York Art Quartet. He participated in the behemoth free jazz recordings New York Eye & Ear Control (with...

The reedsman (especially clarinet) Jimmy Giuffre was an innovator in experimental jazz, namely "third stream" (or "chamber jazz") and free improv. He moved from his native Texas to the West Coast around '50, becoming a major part of the scene and the development of "cool jazz". He played tenor & baritone with Howard Rumsey's Lighthouse All Stars until '53 and played for a minute in the band of ex-Lighthouser Shorty Rogers before going out on his own with his avant-garde music. His drummerless trios consisted of reeds/bass/guitar, reeds/trombone/guitar and clarinet/piano/bass formats, in the process exploring free improvisation much earlier than...

The speed metalist of the hard bop saxophone players, the tenor runs of Johnny Griffin could waste most competitors and his stretch in the '50s/early '60s with Blue Note, Riverside and Jazzland is hard to beat. He co-led a band with Eddie "Lockjaw" Davis and was a memorable feature with some of Thelonious Monk's best line-ups. He came out of that jazz factory of Chicago's DuSable High and got early gigs with T-Bone Walker, Lionel Hampton and Arnett Cobb. He was old enough to have been part of the bop generation, despite not making a record 'til '53. He joined...