News & Updates — reeds

In keeping with my tradition of profiling underrated reedsmen, we have to give the birthday nod to Prince Lasha! Pronounced "la-shay", our subject came from Fort Worth TX, where he played in the high school band with future icons Ornette Coleman, King Curtis, Dewey Redman, Charles Moffett and John Carter. One of the great (if underknown) flautists in progressive jazz, his music sometimes displayed Eastern-tinged qualities He may remind some of Eric Dolphy, another multi-reedsman with whom Lasha collaborated, and he played alto sax and clarinet in addition to flute. (He also was a capable singer, as they say he...

Happy birthday to the alto sax icon Marion Brown! He made so many great records, from the ESP Disks to the records with Gunter Hampel, the awesome early '70s trilogy (Afternoon of a Georgia Faun, Geechee Recollections and Sweet Earth Flying), some records for Freedom and Baystate and on and on. Plus he started his Sweet Earth label out of Western Massachusetts. He played with John Coltrane, Archie Shepp, Stanley Cowell, Harold Budd and others and was an educator and a fine artist (drawing, painting). I was fortunate enough to meet him in the '90s. His son Djinji was in...

Today we honor another underrated reedsman of the '60s/70s creative jazz scene, Makanda Ken McIntyre. While his main axe was the alto sax, he recorded on many different wind instruments: flute, oboe, bass clarinet, tenor sax, soprano sax, bassoon. In addition he was a capable pianist and drummer. He wrote or arranged hundreds of tunes, incorporating bebop, blues, calypso, avant-garde into his style. He composed for jazz combos, chamber groups, orchestra, woodwind quartets, film & television scores and made several classic, if under-known, albums as a leader. He had a long and distinguished career as an educator, both in the NYC schools...

A self-taught tenor saxophonist (and activist) from Chicago, Clifford Jordan was underrated and not a flashy type but he enjoyed a long career in jazz, traveling all over the world and lending his hand to various non-profits. While still in Chicago he played R&B, as well as bop with Max Roach and Sonny Stitt. In '57 he moved to NYC, and cut his first of three albums for Blue Note, the classic Blowing In From Chicago, co-led with Sun Ra's tenor man John Gilmore and featuring members of the Jazz Messengers. In the late '50s he worked in groups led...

The original Flying Luttenbacher, Hal Russell was a Chicago icon. A multi-instrumentalist, he played tenor sax, c-melody, soprano, drums, trumpet, vibes, marimba, musette, congas and keyboards. One of the most surreal jazz characters of the second half of the twentieth-century jazz scene, this guy brought humor, theater and playfulness into his artform. Harold Luttenbacher was born in Detroit, played drums in Dixieland and swing bands (Woody Herman, etc) before discovering bebop. Moving with his family to Chi-town as a teenager, he started playing trumpet as a second instrument in college. In 1950 he played drums with Miles Davis and did...